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Fittingly, Tito Puente's final album (save for a collaboration with Eddie Palmieri) finds the great bandleader-percussionist taking a young audience into the past with an in-concert set of classics including the title track, "Ban Ban Quere," and, of course, "Oye Como Va." The energy never wanes as Puente visits his many styles ("Cha Cha Cha Mambo," for one) and tempos. Particularly hot is the percussive breakdown on "Guaguanco Margarito," which is both smashing and subtle in the way of only the very finest jazz. "I'm gettin' to ya!" the ebullient Mambo King exclaims more than once between songs; he sounds as if he were just as pleased as in the midcentury years he spent inventing this music. Mambo Birdland won a 2000 Grammy (for Best Traditional Tropical Latin Performance), Puente's fifth. --Rickey Wright
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New York-born percussionist/bandleader Tito Puente has carried the torch for Latin jazz for some 40 years now. He remains proud of the albums he made for RCA in the 1950s, and this 26-track collection of two of them (plus three previously-unissued tracks) shows just why. Leading New York City's finest, including conga player Mongo Santamaria and tenor saxophonist Marty Holmes, Puente super-heats the usually tepid Tea For Two and scorches such self-penned exotica as Night Ritual. For fans of both salsa and expressive jazz of any sort, early Tito is a treat. These titles were made to transferred to CD! The sound quality is breathtaking! Ten of these tracks are here in Stereo for the first time.
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